Bath soil an exciting exhibition and the reborn artist

Last Saturday, before the onset of the snow, I visited the wonderful Emma Bond and her lovely husband Tom in the beautiful city of Bath. Bath is an amazing place with lots of independent shops and restaurants, not to mention the amazing Botanical Gardens, Bath Abbey and the Roman Baths.  However it was at the Victoria Art Gallery that I found the most amazing sculpture exhibition.

A long time ago, in almost another lifetime, I graduated with a degree in Fine Art. Ive never lost my interest in art and I consider what I do, growing plants, to be just as creative as making art. Quietly Ive watched to art world from afar and have always loved the colour and textures created by artists of all disciplines. So I was extremely excited when Emma dragged me out of the snow and into the Victoria Art Gallery to see an exhibition by the sculptor, Peter Burke. And it was incredible. The sculptures are made from soil from the area surrounding Peters home in Bradford-upon-Avon in Somerset, bonded so it can be used as a medium for artwork. The first thing and the most amazing to me, was the  difference in the colour of the soil from different places.

The Cup Series

The above three images are identical in terms of the image and the only difference is the colour of the soil.

Radius in Chalk

The above image is made of chalk  from the Bradford-upon-Avon area. 

Whereas this image which is exactly the same in terms of its design, is made from an iron rich clay type soil from a different part of the Bradford-upon-Avon area. Both are stunning images and yet they are quite different although the same, and this difference is created, essentially, by colour. 

But this set me to thinking. It isnt colour that changes these images, but soil. Soil, the most important thing that as gardeners we can have. Its the absolutely most important thing to us and we spend our days trying to improve what we have, adding organic matter, feed, minerals, to ensure that we have the best growing media for our plants. But what this exhibition showed me was that essentially, soil will always return to its natural state and that is the state it was in before man tried to change it for his own needs.

This intrigued the artist in me and made me think about how I could add on to this with a work or works of my own and this is what I came up with. I would like a soil sample from as many people as possible, enough to fill a 3"pot would be ideal. Just soil, as pure as you can find it. Each pot will have a seed placed into it and photographed every day and it will become an installation work, recorded photographically and documented here.

If youd like to contribute or take part please feel free to contact me.

sara@thephysicgarden.co.uk

In other news I officially dislike snow immensely, particularly when all the leaves that had started to germinate for the 52 Week Salad Challenge turn to mush because of it! Enough said on that matter I feel but I promise my next post will be plant/gardening related!!

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A Very Victorian Fantasy in Bournemouth

The dark side of Bournemouth Borough Councils planting scheme

Before you ridicule me for adoring this garden, stick with me and I will explain why. Although firstly, having spent some time talking with the ladies on the stand on Monday, who seemed genuinely amazed and entralled that the garden looked so great, I need to explain a little about the garden.

Bournemouth, the land of holidays at the beach, donkey rides and ice cream, has a darker literary side which I for one knew little about. Mary Shelley wrote "Frankenstein" there  and is buried in a graveyard there, where the sculpture in the centre, by Bournemouth artist Andy Kirkby, will end up after the show is dismantled. Robert Louis Stevenson also wrote "Jekyll and Hyde" there and the two planting schemes are mirrored by those characters in ways which will become apparent.

The garden is split into two halves. In the half shown in the photo above there is very typical Victorian seaside parks and gardens planting, with Coleus, Ricinus, Cannas and countless more annual bedding varieties that the Victorians loved. The colour is deep and rich and screams of bedding schemes in the days where parks and gardens departments trained the horticulturalists of the future(its where Alan Titchmarsh amongst others began his career), and draws the eye into it. It has a tropical feel that today can be seen in places such as The Exotic Garden at Great Dixter, but has been refined for todays taste, whereas this is true Victorian bedding at its best.

Both sides of the planting scheme

The opposite side of the bedding, or the opposite bed, is entirely white in its flower colour, calling in the lighter side of the Victorian arts such as Aubrey Beardsleys Art Nouveau works. It is gentle and innocent, with huge drifts of Cosmos, Orlaya grandiflora and Antirhinums amongst other species. The quantity of plants used gives the illusion of a huge billowing drift of white cloud atop a green background and is almost heavenly in appearance.

In both beds are willow sculptures by Stephan Jennings. In the sub-tropical, dark bed these are in dark willow figures, demonic in their appearance, whereas in the white bed they are of pale willow and are fairy like and innocent.

Victorian style bedding at its best

So why then, do I think this garden worthy of a blog post? Well its really simple. I stood in front of it saying"Oh look, seaside bedding" long before I knew that the garden had anything to do with Bournemouth Borough Council. It dragged me back to childhood holidays and days out at the seaside. The planting was stunning and all of the plants were produced in Dorset, continuing the tradition of producing your own plants for display. In essence, it was honest. And very beautiful.

These peacocks were planted with amazing succulents

My feeling with this garden was also that the gardener could get planting ideas from this garden that are actually steeped in the horticultural history of this country. Unfortunately due to budget cuts the vast majority of Parks and Gardens departments no longer exist in the way that they used to, meaning that our industry now really struggles to find young people good training schemes and has lead to a real lack of skills in horticulture in the UK. So this garden not only talks of the Victorian history of Bournemouth, but also of the horticultural history of the UK both in the history of gardeners and gardens. And when you look at this garden it is truly apparent that the loss of the Parks and Gardens departments throughout the country has lead to our outside town and city spaces being  poorer and sadder places. It was amazing to see this piece of horticultural history displayed in such a fantastic garden. Thanks Bournemouth.

Drifts of white

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